Deep Wireless

May 3, 8pm

In Your Ear
$15 door / $12 students and advance tickets
@ the Drake Underground
Recorded by CBC Radio for future broadcast
live to air broadcast on CKLN 88.1-FM

Actors, poets, musicians and DJs bring a not-to-be forgotten evening of performances that range from the serious to the hilarious. Hosted by Anna Friz with performances of "Sprawl" by Threshold Theater, "the Bat" by Impatient Theatre Co., "Tell" by Soraya Peerbaye (Theatre Direct) and special appearances by Paul Dutton, John Oswald, Sook Yin Lee, E.C. Woodley, Christine Duncan and many more to be announced, so stay tuned (on the web, in the underground or over the airwaves). In Your Ear will be recorded for later broadcast for CBC radio and will also be broadcast live-to-air from the Drake on CKLN 88.1-FM.

May 3 to 28, various times
Power Down performances
curated by John Oswald
free
@ Drake Hotel + weekly radio broadcasts on CKLN-FM every Thursday at 2 PM

OswaldRadio without electricity! Well, almost. About once every second day the Drake Hotel will unexpectedly turn off the music in the restaurant, cafe or other locations and transform itself into an Avant Garde Irish Pub with singers, acoustic musicians, and battery powered radio artists curated and directed by John Oswald. Hang around the Drake and re-live the unexpected perks of the 2003 blackout!


May 9, 9:30 PM

The Ambient PingRADiO iN AMBiENCE 1 @ AMBiENT PiNG
PWYC (suggested $5)
@Hacienda Club, the Ambient Ping

The AMBiENT PiNG and Deep Wireless collaborate for the fifth year in a row to offer Ambient and experimental artists the challenge of creating work that uses radio as a starting point or source material for sound exploration. This year's edition begins with Indian percussionist and sound artist Debashis Sinha with world musician Ben Grossman in a set that uses the radio as a sound source and mixed with various percussion instruments to create ambient music. Also, Deep Wireless artist in residence Kathy Kennedy will perform a solo set of electroacoustic vocal compositions.

Kathy KennedyMay 13, 7 PM

Power Up
by Kathy Kennedy
free
@ Music Gallery and moving out to surrounding environs 

Kathy Kennedy will apply her skills in sonic choreography and public guerilla sound art to the Toronto urban soundscape with transmission arts performances in parks, street corners, and other sites of dense concentration of Torontonians.

May 13, 8 PM

WishartTrevor Wishart in concert
$15 door / $12 students & advance
@ Music Gallery at St. George-the-Martyr Church
co-presented by the British Council

Red Bird
Red Bird was composed between 1973 and 1977 in an entirely analogue studio, using only tape-splicing, mixing, speed changes and EQ available at the mixing desk. For many years I had been aiming to develop a language and a technique of sound transformation (the seamless transformation of one recognisable sound into another). A few years after completing Red Bird I went to IRCAM and began to develop the computer techniques for the detailed transformation of sounds, which are characteristic of my later work (Vox 5, Tongues of Fire etc). But in the analogue studio, achieving such transformations was a difficult (and frequently insurmountable) problem.

The piece uses four classes of sounds, (1) Birds, (2) Animal and Body sounds, (3) Machines and (4) Words (particularly the phrases, Listen to Reason” and “Reasonable”) , chosen for both their sonic qualities and their potential symbolism. These are ‘orchestrated’ and transformed into one another to create a piece which is both music and mythic drama in sound, exploring notions of political freedom, industrialisation and out relation to the natural environment. The idea of creating such a myth-structure was suggested by reading Levi Strauss’ ‘The Raw and the Cooked’, which makes structural analyses of many existing myth stories, pointing to their abstract structural qualities, and drawing direct parallels with musical structure.

Two Women
I call these works ‘Voiceprints’ (in English ‘voiceprints’ are, literally, voice recordings used by the police to trace suspects or missing persons). The movements treat the voices of the subjects in the manner of personal portraits, or political cartoons.

Movements 2 and 4 are derived exclusively from the voice of the subject.

Two Women was commissioned by the DAAD, and received its first performance in the 50th Anniversary of Musique Concrete concert at the Parochialkirke in Berlin in September, 1998, using the diffusion system of the Berlin Technical University.

1. Siren Margaret Thatcher (quoting St Francis of Assisi)

“Where there is discord, may we bring harmony”

2. Facets Princess Diana (talking about press photographers)
“There was a relationship which worked before, but now I can’t tolerate it because it’s become abusive, and it’s harassment”

3. Stentor Ian Paisley (on Margaret Thatcher)

“O God, defeat all our enemies … we hand this woman, Margaret Thatcher, over to the devil, that she might learn not to blaspheme. And O God in wrath, take vengeance upon this wicked, treacherous, lying woman … Take vengeance upon her O Lord!”

4. Angelus Princess Diana

“It was a fairy story .. that everyone wanted to work…It’s been worthwhile, yes it has”

“They were expected to be perfect…There were 60 to 90 photographers”

“I want to be the queen of peoples hearts."

THE DIVISION OF LABOUR
15 variations on a theme of Adam Smith

with the voice of Alex Gordon

“A workman not educated to the business could scarce make one pin a day.
But one man draws out the wire, another straightens it, a third cuts it,
a fourth points it, a fifth grinds it at the top. The head requires three distinct operations.
To put it on is a peculiar business, to whiten the pins another.
In this manner, making a pin is divided into eighteen distinct operations,
and those persons can make forty-eight thousand pins a day.”

Adam Smith : The Wealth of Nations

Statement
Imitation
Song without words
Inflation
Hocket
Chorus
Flecks
Word dance I
Compression
Word dance II
Perturbations
Misstatement
Liquidation/Toll
Hubbub
Trace

NoinoMay 16, 8 PM

RADiO iN AMBiENCE 2 @ AMBiENT PiNG
PWYC (suggested $5)
@Hacienda Club, the Ambient Ping

The Ambient Ping and Deep Wireless collaborate to present NOINO, a newly formed group featuring highly regarded AMBiENT PiNG regulars James Bailey, Matthew Poulakakis & Jamie Todd. 

May 21, 1 PM

Power Up
by Kathy Kennedy
free
@ Drake Hotel and moving out to surrounding environs 

Kathy Kennedy will apply her skills in sonic choreography and public guerilla sound art to the Toronto urban soundscape with transmission arts performances in parks, street corners, and other sites of dense concentration of Torontonians.

Tuesday May 23, 9 PM

Notes From the Underground
$5 @Drake Underground
Call 416-531-5042 for info
Kathy Kennedy + John Oswald + Trevor Wishart + Olivo Barbieri + “What’s Up with Yale?” + DTV Video Vault + MC Rebecca Addelman

Drake’s variety night brings you experimental music, comedy, performance and video art!

This month, Gareth Long curates “What’s Up With Yale?” : videos by the crème de la crème of Yale’s art program. Featuring video works by Sarah Dorner, JJ PEET, Derek Larson, Chris Moukarbel, Samantha Moyer and more. Long is currently pursuing his MFA at Yale University in New Haven, Connecticut after receiving his Honours Bachelor of Arts from the University of Toronto in 2003. He is the recipient of the Vtape Emerging Artist Award, 2003 and is represented by Leo Kamen Gallery in Toronto.

The Drake TV Video Vault features hilarious selections from our video library. This month: “Lennon + Dylan get tree top high (on video)” and “Yorkville Isn’t Gentrified”.

As part of the Deep Wireless Residency, Drake A.I.Rs Kathy Kennedy, John Oswald and Trevor Wishart will perform sonic selections!

Debashis SinhaMay 26 and 27, 8pm

Radio Theatre 1 & 2 followed by solo performances
$15 door / $12 students & advance (each night)
Radio Theatre 1 @ Drake Hotel
+ live internet broadcast on free103point9
Radio Theatre 2 @ Ryerson University Student Campus
Centre, 55 Gould Street

Radio Theatre is a Deep Wireless creation whereby an eclectic group of multi-talented radio artists are assembled together in order to perform live radiophonic pieces for the stage.  This year's ensemble consisting of sound artists Anna Friz and Richard Windeyer, sound designer & actor Richard Lee, and vocalist Christine Duncan will perform a two-part (one part on each night) radio work by US radio and performance artist Gregory Whitehead. Also included will be radio works commissioned for CBC radio's Outfront by Christian Nicolay, Micheline Roi, Debashis Sinha, and Damiano Pietropaulo.

The Radio theatre will be followed by shows that feature a solo voice performance by Kathy Kennedy on May 26 and San Francisco plunderphonic pioneers The Evolution Control Committee on May 27.

May 26, 2006

Sonic Choreographies
by Kathy Kennedy
(price of performance included with Radio Theatre 1 ticket)

Sonic Choreographies are multi-track pieces for 5.1 surround sound composed almost entirely of the composer's voice, creating an immersive and deeply personal environment. Kennedy will also improvise live over some of the soundscapes. From lilting melodies to haunting auralities, the concert hall is transformed into a space within the human voice.

Evolution Control CommitteeMay 27, 2006

The Kitchen of the Future
by The Evolution Control Committee
(price of performance included with Radio Theatre 2 ticket)

The ECC brings from San Francisco a newly revised version of their classic Thimbletron performances featuring normal kitchen appliances (toaster, blender, microwave, etc.) that are circuit-bent to change and twist your popular media appetite.

May 28, 6 PM
All Request Redirect Band
with John Oswald & The Evolution Control Committee
$10 door / $8 advance & students
@ @ Ryerson University Student Campus and broadcast live on CKLN-FM

For this live-to-air closing night show, John Oswald and Mark Gunderson will bring together a "band" of Toronto celebrities from all walks of life (politics, food, literature, music, you name it..) to take audience requests for their musical favourites and throw these into a sound mix rich in discussion and debate.

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